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Critiques Of Iago

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... character, though much of Shakespeare's focus is on his nemesis, Iago. It is Iago's betrayal and control of nearly besides Iago. Iago owns his part, and no doubt owns the stage when Othello is performed. Shakespeare knows how interesting Iago is. Iago is captivatingly charming, despite his evil ways. And this magnetism is cannot be denied, it is mistaken to cast blame entirely on Iago. Iago is evil but he is also smart. In a sense, Iago is only makes sense that Shakespeare would focus his dialogue on Iago, and let Iago speak more than Othello - it is Iago's ...



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Sources list for CRITIQUES OF IAGO:

W. H. Auden on Iago, Accessed online on 11^th May 2003: http://www.sparrowsp.addr.co m/articles/Auden_on_Iago.htm W. H. Auden on Iago, Accessed online on 11^th May 2003: http://www.sparrowsp.addr.co m/articles/Auden_on_Iago.htm
Iago in "Othello"

Rand, Frank Prentice. "The Over Garrulous Iago." Shakespeare Quarterly. 1.3 (1950 Summer): 155-161
An Apology For Iago

Rosenberg, Marvin. "In Defense of Iago." Shakespeare Quarterly. 6.2 (1955 Spring) 145-158
An Apology For Iago

Zender, Karl F. "The humiliation of Iago." Studies in English Literature (Rice); Spring94, Vol. 34 Issue 2, p323, 17p.
Iago: Elusive or Illusive?

Babcock, Weston. "Iago--An Extraordinary Honest Man." Shakespeare Quarterly. 16.4 (1965 Autumn): 297-301
An Apology For Iago

 


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