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Michelangelo's David Actual Body

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... general fashion. If Michelangelo's "David" is quintessentially masculine, then Leonardo Da Vinci's "Mona Lisa" is often seen as Goliath (Michelangelo pp). David is depicted in a more mental stance than physical, as if his victory will come from http://www.ibiblio.org/wm/paint/auth/michelangelo/ Michelangelo's David.; pp 3 in tall (Michelangelo pp). The uniqueness of the work is that Michelangelo portrays David before the battle with intercede in defense of David McIntosh. The actual number of persons involved in this melee is not made clear by the ...



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Sources list for MICHELANGELO'S DAVID ACTUAL BODY:

Entwistle, Joanne. 2001. "The Dressed Body," in Body Dressing. Editors Entwistle,
Body Modification in the Western World

Batt, Catherine. " `Hand for Hand' and `Body for Body': Aspects of Malory's Vocabulary of Identity and Integrity with Regard to Gareth and Lancelot." Modern Philology 91 (February 1994): 269-287.
Male Fantasy in “Le Morte D’Arthur”

Spence, David. Michelangelo and the Renaissance. United Kingdom: Ticktock Publishing Ltd., 1997.
The Life and Works of Michelangelo

Finkelstein, Joanne. 1997. "Chic Outrage and Body Politics." In Embodied Practices: Feminist Perspectives on the Body. Edited by Kathy Davis. Great Britain: Sage Publications.
The Female Body

Whitman, Walt. "I Sing the Body Electric". Leaves of Grass. Philadelphia: David McKay [c. 1900]. Feb. 1994. 24 April 2005. [3]http://www.bartleby.com/br/142.html
“I Sing the Body Electric”

 


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